Videos now available to view… Helen S. Tiernan Two Views: As Above So Below

For those unable to celebrate the opening of our current exhibition of new paintings by Helen S. Tiernan in person, the videos of Helen’s talk and opening remarks by Rosemary Forde, Visual Arts and Cultural Development Officer, Bass Coast Shire Council, are now available on our website.

Click here to watch Rosemary’s official opening.

“Helen’s work is offering us so much – of history, of literature, of sheer visual mastery; it is ourselves, our story, our land, sea, and sky, reflected back to us in many complicated and nuanced ways.”

We were delighted that Helen also spoke about her painting and the directions it has taken over the past year she has been working on these series of artworks. Click here to watch the artist video.

Helen talks about her large ‘fantasy realism works – Land, Sea and Sky, as well as her abstract series and the new paintings depicting whales in the deep. Whilst she acknowledges each viewr brings their own thoughts to her work, it is illuminating to hear her speak of the layers of meaning and inspiration.

“Land – You also see Alice in Wonderland and the White Rabbit – what you are seeing there is my satire. Because a lot of my earlier colonial work is about navigation, and discoveries and looking for the Great South Land and this is Alice in Wonderland looking into this and saying “Oh, what have we done; what’s going on here”. So I’m making a comment on the environment that we are living in at the moment. …  and that’s the cleared land, the introduced and native species, I’ve got the square cow and the thylacine…  The abstract components at the far end, I’m talking about the built environment.”

Visit the Gallery to view the exhibition and visit our website to preview the paintings and download the illustrated catalogue. Gallery hours: Tues – Fri 10am – 6pm.

The Gallery will close on Friday 19 December and reopen after the summer closure on February 4 February. Emails will be monitored intermittently during this time.

Helen S. Tiernan New Exhibition Opening Sat 22 November at 2.30pm Two Views: As Above, So Below

Join us at the Gallery to celebrate with artist Helen S. Tiernan at the opening of her new exhibition Two Views: As Above, So Below to be officially opened by Rosemary Forde, Visual Arts and Cultural Development Officer, Bass Shire Council.

Preview the exhibition on our website and download the illustrated catalogue.

Please RSVP to ausart@diggins.com.au

Helen Tiernan’s new exhibition presents us with different rhythms of the same song. She is an artist eager to impart key messages through her practice, anchored in both her indigenous and European heritage, the experiences and culture equally from her life and her studies of art history. Her artwork is layered, imbued with a meld of indigenous and western learnings and understandings. At its heart, is story-telling, from Aboriginal songlines to western classics and her message is centrally about land, sea and sky – the totality – and about people, identity and place.

The layering of meaning throughout Tiernan’s opus give her paintings a pulsating quality. These recent whale paintings encapsulate her recent environmental concerns, particularly the pollution of sea country, including noise pollution. The bands across these canvases are representative of this sonic sound pollution; but are also echo waves of communication and indigenous songlines of journey – different rhythms of the same song.

Helen Tiernan Sea Country 2024 Helen S. Tiernan Cetaceans #4 90x90cm Helen Tiernan Abstract Coeruleum

Utopia Showcase

Showing throughout September at Lauraine Diggins Fine Art, a selection of paintings by artist from Utopia including Emily Kam Kngwarreye; Gloria Petyarr; Nancy Petyarr; Kathleen Petyerre; Angelina Ngal; Kathleen Ngal; Poly Ngal; Greenie Purvis Petyarr, Cowboy Loy Pwerl; Elizabeth Kunoth Kngwarray; Genevieve Kemarr Loy. With the global interest in Emily Kngwarreye including an exhibition at Tate Modern, it is timely to celebrate leading artists from Utopia and their elegant artworks. Characterised by a harmonious balance of colour, a beautiful sense of movement and intricate mark making across the canvas, many of these paintings exhibited are on a grand scale, suggestive of the vast country some 350kms north east of Alice Springs that is depicted. These are representations of Country; of ceremony; of cultural relevance touching on initiation, food, flora, fauna and each artist’s relationship with Country.

To preview the artworks online, please click here

Congratulations Elizabeth – again!

Elizabeth Kunoth Kngwarray travelled to Sydney with fellow artist Genevieve Kemarr Loy to view her painting hanging as a Finalist in the Wynne Prize at the Art Gallery of New South Wales, Sydney. We’re delighted to announce she has also been named a Finalist in this year’s Hadley’s Art Prize in Hobart.

Elizabeth Kunoth Kngwarray at the Wynne Prize, Art Gallery of New South Wales 2025

To view artworks by Elizabeth Kunoth Kngwarray, please see our stockroom or contact us.

Congratulations Wynne Prize Finalist Elizabeth Kunoth Kngwarray

Congratulations to ELIZABETH KUNOTH KNGWARRAY

Finalist in this year’s Wynne Prize for Landscape painting at the Art Gallery of New South Wales, Sydney.

Wynne Prize for Landscape Painting 2025 Art Gallery of New South Wales Entries: 758 (52 selected) Showing : 10 May – 17 August 2025

Elizabeth’s paintings are also showing at the AAADA Fair this weekend at the Malvern Town Hall. Click here for further information or contact us for complimentary entry tickets.

Elizabeth Kunoth Kngwarray depicts aspects of Aharlper in Utopia in the Northern Territory in this painting. The work was created at her home at Iylenty, some 360 kilometres north-east of Mparntwe/Alice Springs. As a cultural custodian, Kngwarray is concerned with transmitting stories and ceremony through her artworks, preserving and continuing her community’s rich cultural practices.

To complete this work, Kngwarray, a three-time Wynne finalist, laid her canvas flat on the ground, applying paint with bottles of varying nib sizes to produce intricate flicks of colour. These ‘flicks’ reference the yam, a native food plant and medicinal source. The yam’s low, sprawling form is evoked through the electrifying reds and blues Kngwarray has applied in varying intensities to create dynamic pools of colour that spread across the canvas. Interspersed among these bold hues are tiny flecks of white, yellow and teal. They shimmer and glint, similar to how the yam’s seeds and flowers gently move when a breeze brushes past the plant.

Click here to view Elizabeth’s work in our stockroom or please contact us for further information.

Stephen Bowers and Mark Thompson discuss their artworks – on show until 7 December 2024

Watch videos of artists Stephen Bowers and Mark Thompson as they discuss the artworks in their current exhibitions of new ceramic work. Learn about the ornithological inspirations for the birds on Stephen’s ornate plates and how Mark has several pieces on the go at once and what drives him to keep creating. Ceramics by nature includes an element that is totally out of the artist’s control, as every time a piece enters the kiln there is an unknown factor. The artist has to be patient through the process, allowing the kiln to cool enough before seeing if everything has turned out as planned.

See our website to view the videos, preview the artworks in the exhibition and download the illustrated catalogues with essays by Leslie Ferrin and John Neylon. A video of the opening with remarks by Dr Damon Moon, prolific writer on ceramics, as well as a ceramicist himself, is also available to view.

Stephen Bowers and Mark Thompson : new ceramic artworks now on show

Concurrent exhibitions now showing until 7 December : Stephen BowersA Conference of Birds and Mark Thompson sine qua non.

This exhibition brings together two celebrated artists from South Australia, internationally acclaimed ceramicist, Stephen Bowers and Mark Thompson, one of Australia’s leading set and costume designers in addition to being a painter and ceramic artist. Both artists showcase ornate patterning in their work and are inspired by the history of art and design within their own unique style.

BOWERS Paradise Parrot (last seen November 1927) 2024 earthenware
STEPHEN BOWERS Paradise Parrot (last seen November 1927) 2024 earthenware diam. 33 cm

Bowers also looks to creatures, here a flock of birds across a series of plates, portrayed in bright colours against complex, fragmented backgrounds inspired by designs from ceramics, engravings and textiles. These works speak to the idea of pattern-in-nature and nature-in-pattern and reflect on the tensions of humanity’s appropriation of the natural world for our own use, the fragments representing this broken relationship.

Internationally acclaimed ceramicist, Stephen Bowers ​p​resents a flock of birds across a series of plates, vividly portrayed in bright colours against complex, fragmented backgrounds inspired by designs from ceramics, engravings and textiles. ​This rich mash-up of visual ideas is playfully and skillfully rendered using meticulous brushstrokes that are imitative of industrial process. The ornate patterning  inspired by the history of art and design​, speaks to the idea of pattern-in-nature and nature-in-pattern and reflect on the tensions of humanity’s appropriation of the natural world for our own use, the fragments representing this broken relationship. 

Thompson A juggling Pug
Mark Thompson A juggling Pug 2024 earthenware, decal, gold lustre

Mark Thompson, one of Australia’s leading set and costume designers in addition to being a painter and ceramic artist, showcases ornate patterning in his work, inspired by the history of art and design within his own unique style. In this current exhibition, Thompson utilises the sculptural form of the bust for many of his fantastical works, with decorative elements and characteristic theatrical flourish. Another reference is the tradition of ceramic creatures, including the wonderful Juggling Pug with links to the Order of the Pug, established in Bavaria around 1740 with resulting porcelain commissions of that time.

Preview the exhibitions and download the illustrated catalogues with essays by Leslie Ferrin, Director Ferrin Contemporary, USA and John Neylon, Australian arts writer.

Bowers catalogue

Thompson catalogue

Lauraine Diggins Fine Art is participating at the AAADA Sydney Fair at Paddington Town Hall 7 – 10 November. The Gallery will be staffed during this time for visitors to the Stephen Bowers and Mark Thompson exhibitions, although you may wish to ring to confirm your visit time 03 9509 9855.

Robert Clinch in Art Gallery of Ballarat exhibition

Robert Clinch is one of many artists included in the current exhibition at the Art Gallery of Ballarat, Medieval to Metal: The Art and Evolution of the Guitar, opening tomorrow Sat 12 October and showing until 2 February 2025.

Robert Clinch’s lithograph Arpeggio is characteristic of his work with his detailed and meticulous rendering of an ‘urban capriccio’.

Clinch’s striking imagery transports the viewer to a fictional but hauntingly real world; telling accessible tales of loneliness, joy, injustice, humour, melancholy and whimsy. Clinch paints entirely from drawings, executed plein-air, often at numerous locations and then adapted for composition in the studio. The same fastidious approach is devoted to his beautifully hand-drawn limited-edition lithographs.

Browse Robert’s work on our site here

In The Spotlight… Genevieve Kemarr Loy

In the spirit of this year’s NAIDOC week theme, ‘Keep the fire burning – Blak, loud and proud’, we celebrate the painting of Genevieve Kemarr Loy.

Genevieve Kemarr Loy 1982 – (Anmatyerr) Amperwelkermerr synthetic polymer on linen 92 x 122 cm 223009

Genevieve is a young woman of strength, determination and resilience who continues the family tradition of painting from the Utopia area in remote Central Australia.

Genevieve was driven to start painting at around 12- 14 years old, her curiosity piqued by watching others around her, particularly her dad Cowboy Loy Pwerl and his wives Elizabeth Kunoth Kngwarray and Carol Kunoth Kngwarray, daughters of Nancy Kunoth Kngwarray. As she grew older, she wanted to learn more about the meanings of the mark making and began to ask questions about the motivation for the paintings. Her father spent much time relaying the stories of homeland to her, especially the bush turkey.

223010-GenevieveLoy-Bush-Turkey
Genevieve Kemarr Loy 1982 – (Anmatyerr) Bush Turkey Story 2023 synthetic polymer on linen 121 x 122 cm 223010

Several years ago, Genevieve moved to Port Augusta to be near her two children, and despite the distance from her country, she continued to paint inspired as always by the flora and fauna of Utopia. Genevieve most often paints the story of Arwengerrp, the Bush Turkey, which has been passed down from her father, himself a collectible artist and important senior elder who sadly died in 2022.

Genevieve has taken on the intricate patterning depicting the tracks the bush turkey makes as it searches for seeds to eat and makes it way to a central waterhole. She infuses the story with her own interpretation, using meticulous dots across the canvas and a harmonious colour palette to create a vibrant, pulsating surface.

Genevieve Kemarr Loy 1982 – (Anmatyerr) Wildflowers 2023 synthetic polymer on linen 200 x 121 cm 223013

Genevieve has more recently made the decision to return to Utopia, continuing to produce beautifully detailed paintings. Just as she learnt from elders in her family, she finds herself now keeping the fire burning, as the inspiration and teacher to a younger generation.

Genevieve has been recognised as a Finalist in a number of art prizes including The Churchie National Emerging Art Award, 2012 (judge’s award winner); Lloyd Rees Memorial Youth Award, 2009; Blake Prize, 2010, 2013; Fisher’s Ghost Art Award, 2010; Hawkesbury Art Prize, 2012; Paddington Art Prize, 2012, 2017; The Waterhouse Natural Science Art Prize 2013; Alice Prize 2014, 2016; Grace Cossington Smith Art Award, 2018; Redlands Art Awards, 2018; Ravenswood Australian Women’s Art Prize 2020, 2024.

View selected paintings on our website.

Genevieve Kemarr Loy 1982 – (Anmatyerr) Bush Turkey 2024 synthetic polymer on linen 117 x 75 cm 224017