• The Melbourne Fair

    The Melbourne Fair 2022

    Come and visit us this weekend at The Melbourne Fair showing at the Caulfield Racecourse – Friday 25/Saturday 26 March 10am – 6pm and Sunday 27 10am – 5pm. We are showing a range of Australian painting, drawings and decorative arts including a large colonial painting by Henry Reilly; an atmospheric landscape by Australian Impressionist […]

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  • Celebrating International Women’s Day

    It is fortuitous timing that our exhibition of paintings and works on paper by Constance Stokes coincides with International Women’s Day, celebrated on 8 March. Constance Stokes’ life represents the myriad issues facing female artists, particularly pursuing an active career as a professional artist whilst also supporting a family and fitting with societal expectations of […]

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  • Rover Thomas at National Museum of Australia

    Thomas, Rover 214071 JABANUNGA (Rainbow Serpent)

    A masterwork by the iconic Kimberley artist Rover Thomas has been donated to the National Museum of Australia in honour of Lauraine Diggins OAM. The large-scale painting Jabanunga depicts the Rainbow Serpent penetrating the earth following a subterranean journey in the wake of Cyclone Tracey’s destruction of Darwin. Lauraine was a strong supporter of Indigenous […]

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  • Jessie Scarvell

    The S.H. Ervin Gallery in Sydney recently posted this video with Director Jane Watters highlighting their holdings of artworks by Jessie Scarvell, which were gifted by her daughter. Scarvell (1862 – 1950) was an exponent of Australian Impressionism who exhibited over 60 of her plein air landscapes at the Art Society of NSW throughout the […]

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  • Nora Heysen

    Nora Heysen Trobriand Islander 215290

    The Fierce Girls podcast series on the ABC recently featured artist NORA HEYSEN – first female artist to win the coveted Archibald Prize in 1938 and first woman to be appointed an official war artist. Nora Heysen’s talent was recognised early by her father, the acclaimed artist Hans Heysen. As he noted in a letter […]

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  • In the Spotlight: Sophie Steffanoni

    Sophie Steffanoni had been consigned to the ranks of overlooked women artists of the turn of the twentieth century until a cache of her artwork and correspondence were discovered in 1987, leading to an exhibition of her work at the Art Gallery of New South Wales in 1996. Steffanoni was a professional artist, working for the family embroidery business […]

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  • MARIAN ELLIS ROWAN – Blue Flowers

    Ellis Rowan blurred the lines between fine art and natural history illustration with artworks characterised not only by their detailed accuracy but also her own compositional charm and touches of dramatic interest.

    (Blue Flowers, possibly Scaevola Basedowii) depicts a centrally placed display of the spidery network of branches juxtaposed with the delicate small blue flowers…

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  • MARIAN ELLIS ROWAN August – September 2021

    Marian Ellis Rowan (1848 – 1922) was a remarkable woman who travelled around the world to capture exotic flora in her elegant paintings. First inspired by the gardens of her youth at Mount Macedon, Victoria and family connections to government botanist Ferdinand von Mueller, she became a celebrated artist known for depicting wildflowers and birdlife, recording numerous botanical species throughout remote Australia; New Zealand; the United Kingdom; the United States of America and Papua New Guinea…..

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  • In The Spotlight…Robert Dickerson

    Robert Dickerson Landscape with Figures

    Dickerson’s reputation as an artist was established during the 1950s with the support of John Reed and Rudy Komon with whom he exhibited from 1959. His figurative work portrays individuals in both urban and rural settings with an overriding emotional mood and psychological insight, all conveyed in his unique and recognisable visual language, one he continued with throughout his artistic practice.

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  • In The Spotlight…Charles Conder

    This small, rapidly painted sketch belongs to Conder’s Melbourne years (1888-90) and is typical of his en plein air style. This was a style, developed in the ateliers of Paris and in the summer painting ‘camps’ of rural France in the 1870s that involved the artist capturing and holding the essence of the moment and the scene as he or she stood in […]

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