Winter Morning Beaumaris

Clarice Beckett

Winter Morning Beaumaris by Clarice Beckett

Details

Artist
Clarice Beckett
Title
Winter Morning Beaumaris
Year
c.1927-31
Medium
oil on canvas
Size
39.3 x 55 cm
Stock Number
213013

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Provenance

Hilda Mangan (the artist's sister)

by descent

Exhibited

From Van Diemen's Land to the MCG, Images of Hobart Town to Melbourne Now, Lauraine Diggins Fine Art, 29 June - 10 August 2013

Further Information

Beckett was renowned for her innovative compositions, her remarkable poetic lyricism and the dramatic intensity she was able to create. This work shows the essence of the datmospheric moment as well as creating an illusion of the actual temperature and a sense of atmospheric space all characteristic traits of the artist.

Winter Morning Beaumaris has a typically Melbourne winter mood and is a very strong image due to the compositional choice where the image is dramatically strengthened by a stark tree trunk which contrasts with Zen-like meditative softness of shifting fog shrouding the headland and flora. Subtle in its poetic style, it holds the wonderful sense of the mysterious unknown that sea fog brings to the landscape. Another characteristic of Beckett's work was her ability to create a sense of place and a sense of the actual temperature of the subject. This was due to her ability to mix the finest degrees of tonal range that the landscape before her held and her ability to run her soft edges into each other to form a unified and genuine sense of airy atmosphere. This is even difficult to achieve in a studio environment.

This large size work is a rare example of a limited number (approx. 10) paintings on canvas and stretcher that survived the destruction of at least 60 works of this size and even larger which were burnt straight after her death. The challenge of painting an impression of nature en plein air on this size canvas is immense. Fleeting sunsets, sunrises and gathering dusk and moving sea fogs last for only minutes and the image and tones in a landscape changes constantly. The painter must work with enormous speed and a great knowledge of tones, being able to know what colours to mix to achieve the perfect reflection of what is being painted. Incredible skill with handling the paint and keeping a freedom of the impression is evident in this image. Beckett was greatly admired for achieving all those requirements of painting to achieve a sense of living breathing elusive reality.

This work was painted from Beckett's favourite haunts on the cliff tops along the foreshore looking out to Port Phillip Bay. It shows her classic poetic lyricism and a contemporary daring with her sparing use of paint and her paring back of form.

Rosalind Hollinrake